Monday, September 27, 2010

'Blue Nude' by Elizabeth Rosner

INHERITING AN IDENTITY
A Conversation with Elizabeth Rosner
Wednesday, September 29
7:30 PM



Elizabeth Rosner
author of Blue Nude

in conversation with Linda Gray Sexton,

with opening remarks by Philippa Kelly


Acclaimed novelist Elizabeth Rosner asks: “Can we remember the past and move beyond it, creating art in the process?”

Her luminous second novel, Blue Nude, takes modern history’s greatest atrocity and expresses its consequences—and a hope for redemption—in the lives of two people thrown together by accident.

Born in the shadow of postwar Germany, Danzig is a once-prominent painter, now teaching at an art institute in San Francisco. Increasingly haunted by his dark inheritance, he finds himself unable to create. When Merav, the Israeli-born granddaughter of a Holocaust survivor, becomes Danzig’s muse, both realize they must face the wounds of history that each of them carries. Bringing together the past and present lives of Merav and Danzig, the story moves forward and backward in time and place: from a California art studio to the ruins of Berlin and back again.

In subtle yet profound awakenings, both artist and model begin to transform themselves as well as one another. Blue Nude becomes the literary equivalent of a masterpiece of visual art: elegantly composed, vivid, a perfect object as well as a great and stirring drama.

A daughter of Holocaust survivors, Rosner spent several years involved in a project called Acts of Reconciliation. This exploration of the legacy shared by Second Generation Jews and Germans, descendants of victims and perpetrators, led to the writing of Blue Nude. Its powerful themes of inheritance and transformation are inspiring answers to a question haunting many of us: How do our ancestors' lives dictate and inform our own?

Joining Elizabeth Rosner in conversation will be Linda Gray Sexton, whose writing has been intricately shaped by the life and work of her mother, poet Anne Sexton.


"We watch, spellbound, as the story seems to levitate midair, as the characters seamlessly unfold a plot that is no less than fascinating. Using the rhythms of poetry, Elizabeth Rosner has created a lyrical tour de force." -- Linda Gray Sexton, author of Half in Love: Surviving the Legacy of Suicide


“Rosner has a painter's eye and a poet's ear. BLUE NUDE is a luminous book about painful histories -- both private and global -- and how they stay with us even as they travel through to become something else - quite possibly art. A book both heady and tangible, both unflinching and generous, but always beautiful to read.” -- Karen Joy Fowler, author of The Jane Austen Book Club


“Through German artist, Danzig, and Israeli muse, Merav, Elizabeth Rosner builds a bridge from loss to reconciliation, from anger to understanding. Blue Nude is a lyrical exploration of how we -- as individuals and as a society -- move past our separate histories and toward a shared redemption. This is truly a lovely book.” -- Meg Waite Clayton, author of The Wednesday Sisters


“Blue Nude is a novel which spans time and continents, from post war Germany to California to Israeli kibbutzim, a novel which explores the big questions of history, fate, art, how we choose to live the lives we’re given–and yet it’s also wonderfully intimate as well in its exploration of the hearts of its individual characters. Elizabeth Rosner has written a thought provoking, moving and original book.” -- Dan Chaon, author of You Remind Me of Me


“Rosner takes on complexity with a brilliant poet’s insistence that the body can never surrender cultural legacy. Blue Nude is easy to pick up and, in its suspense, hard to put down. Its sensitivity to detail acts as a love letter to the world.” -- Edie Meidav, author of Crawl Space

Linda Gray Sexton, our interviewer this evening, has written four novels, and her first memoir, Searching for Mercy Street, was published to widespread acclaim. Linda Sexton’s new book, Half in Love: Surviving the Legacy of Suicide, arrives in January.


Philippa Kelly is Resident Dramaturg at the California Shakespeare Theater.



$12 advance ($6 students with ID and Hillside Club members), $15 (for all) at the door, online at Brown Paper Tickets on 800-838-3006.


Hillside Club (2286 Cedar Street, Berkeley)

Friday, September 24, 2010

Harmonious communication

I didn’t invent any of this. I’ve pieced it together over the years from other experts, as well as my own
personal and professional experience. Try it. It works. You’ll have more harmonious relationships with
men… All men.

Thursday, September 23, 2010

Don't make him wrong: my marriage vows

I got married recently. We wrote our vows separately and surprised each other with them. I had been
jotting things down over a period of months, and one thing kept coming up for me: my beloved has zero
tolerance for being made wrong. It just doesn’t work for us. The first thing that I committed to in my
vows was to try to not make him wrong, and that if I wanted to make him wrong, I committed to figuring
out what was going on with me that caused me to do so. Because when you make somebody wrong it’s
information about you, not about them. I know, you probably don’t like hearing that either. But I’m right
on this. These unconventional vows really resonated with my beloved, as well as with the audience, the
men especially. They’re still talking about it. I think I struck a chord. As far as our marriage goes, so far so good.

Wednesday, September 22, 2010

Don't make him wrong!

Here’s a biggie: making a man wrong is a lose. Cumulatively, it whittles away at his sense of manhood
and empowerment. It’ll make him angry and cause him to withdraw. You may have noticed. Don’t make
him wrong. Period. Give it up.

Tuesday, September 21, 2010

Positive sandwich

When giving a man feedback, give him the ‘positive sandwich’: you start with a positive (“I love how
you…”), give him the constructive criticism (“And it would make me even happier if…”), and end with a
positive (“You’re such a wonderful…(lover, cook, father, planner)”).

Monday, September 20, 2010

Men have a single focus brain

When you want to talk to a man, pick an opportune time, a time that will set you both up for success.
Men’s brains are single‐focused ‐ in other words, they’re best‐suited to only focusing on one thing at a
time. Women tend to have multi‐tasking brains. Again, neither is better; it’s just different, and serves
different purposes. So if you want to approach him to discuss something, don’t do it when he’s focused
on something else. When he’s watching a football game on TV, fixing the car, doing e‐mail, helping little
Johnny assemble his new toy…he’s not available. And he won’t be able to give you his undivided
attention, which is what you want, right? He may grunt in response, and you assume that he has heard
and understood you. Later you wonder why he doesn’t remember. He genuinely doesn’t. Pick a time
when he can focus on you. Catch him in between tasks. You might even want to ask if it’s a good time to
discuss what color to paint the den, plan his mother’s birthday party, RSVP to a dinner invitation…

Saturday, September 18, 2010

Thank him: it's a win

When you thank him, that’s a win for him, and he will want to do what pleases you again, so
that you are pleased again. Never underestimate the impact of praising and thanking a man, with a
smile and direct eye contact, whether it’s your mate, a busboy in a restaurant, the guy helping you at
the hardware store. A smile reads as a win to a man, and facilitates you both getting what you want.